During the first lock downs of COVID, our tiny village on
the shores of Georgian Bay filled with city dwellers seeking respite. Their respite became our “invasion” and so we
sought the solace of a nearby County forest out in the country. This forest was
planted one hundred years ago to replace the trees that were all cut down by
the early settlers to the region in the late 1800’s, trees that were planted to
stop the soil from blowing away. The
forest became our welcoming refuge, our delight, our community and we forged
relationships there.
In the winter of the second year of COVID, the loggers came
and cut down dying Ash, mature Poplars and Maples. They hauled out the logs they could sell and
left behind huge piles of broken branches and tree stumps. Our hearts broke looking at the mess that was
left behind. But, we had a strong
relationship with the forest and couldn’t abandon it. It was painful. Then the downed branches began to whisper to
me and form patterns in my imagination that led to the weaving of a big basket,
there on the land, using the Ash sticks.
Next came a carving of a face in a left-behind Poplar log. My partner and I co-created with the forest
and our spirits came alive.
During the next month, the unmarked graves of 215 children
were located on the grounds of a now closed Indian Residential School in
Kamloops, BC. This touched hearts that
until now had remained closed, opened eyes that hadn’t yet seen and triggered
ancestral traumas for Indigenous and non-Indigenous people. More pain. We made a tribute to the children in the
forest and people added prayer ties, special objects and Indigenous and
non-Indigenous people held ceremony there together. It became a spot for discussion, for
honouring, for storytelling, for healing.
During the next month, the LDD moth caterpillars ate the remaining
canopy and it felt apocalyptic. The
remaining trees were now bare. My partner
made brightly painted mythical, magical birds from pieces of wood found in the
forest and mounted them on the tree stumps adding funny names. People shared the pictures on social media
and families came to see the art work that was “popping” up in the forest. They felt comforted by the forest and the
artwork.
The "Lesser Tidbit", one of the magical, mythical birds created from found wood and paint |
During the third summer of COVID, we spent our time creating
a circular community garden with an Indigenous advisor to bring the community in
our village together. During one of our
events there, a neighbour who is a former township councillor asked us to take
part in a National Healing Forest initiative to provide spaces for Truth and
Reconciliation work to be done all across Canada. And so, we began the journey with a group of
Indigenous and non-Indigenous people to create a space at the County level for
this work. We decided to suggest the
forest we had already been working in even though we never had permission to
create the art there. It felt scary to share this with the people that we had
judged as “destructive.” It turned out
that the director of the forest was fine with it once we took him on a walk
there with the other people in the working group. He said that it was clearly
already a healing forest. Our fears of the County destroying the art were
needless it seemed. And now we continue
to work with the group to create a learning circle, better access to the river
for Elders and improved parking. A whole
new vision is being co-created for the possibilities of activities and
ceremonies that could take place in this healing space. More relationships are being forged.
National Healing Forest logo (https://www.nationalhealingforests.com/)
In fact, my partner went to the forest on the day that the
crew were creating a new parking space. Members
of the crew asked him to show them the art work and explain it. And so, he did. He said that they stood in a circle, listened
carefully to what he had to say and asked a few questions. This seemed like a kind of a miracle to
me. The circle had opened wide enough to
include the people that we had seen as “the bad guys.” And here they were, using their “tools of
destruction” to create the parking space requested by the Native Women’s
Association as we work together.
The new parking area for the Healing Forest |
I never could have imagined all the beauty that could be co-created
at the beginning of all of this time of disruption. I have learned though, that when things fall
apart, to pick up the pieces that I want to keep and make something new,
something beautiful, something form the heart.
I have learned about the magic of co-creativity and the power of the
circle, the power of community. I could
have recounted all the losses as only negative.
But, that wouldn’t be telling the truth.
The truth I have come to learn is that within a co-creative community circle, healing is possible.
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