Tuesday 24 September 2019

Re-envisioning What it Means to be Canadian


Daniel Heath Justice
“We have to re-envision what it is to be Canadian,” said Daniel Heath Justice.  This Indigenous author and UBC professor of First Nations and Indigenous Literature was participating at the 3rd Gathering: Festival of First Nations Stories.  The Festival was organized by the Orillia Centre for Arts and Culture in the town of Midland.  The Festival included Indigenous authors visiting and presenting at local schools, the Midland Native Friendship Centre, the Midland Cultural Centre, Public Library and Huronia Museum.  Playwright and musician Tomson Highway performed his music with two other artists, Songs in the Key of Cree on the Friday night.  



And on the Saturday, six authors and two artists shared their work, held dialogues and answered questions.

I had read Daniel Heath Justice’s book Why Indigenous Literatures Matter which taught me a great deal and so I was listening carefully to what he had to say.   Justice explained that Indigenous authors give context to the individual stories that we hear.  This context explains how people got to where they are.  If you don’t know the context, he explained, then problems appear to be a “problem of being”, not a problem that emerged from within a context.  That then, skews the solutions offered.

Daniel Heath Justice and Alicia Elliott at Gathering in the Midland Cultural Centre theatre (from OCAC facebook page)

Alongside him was author Alicia Elliott.  I had read her book A Mind Spread Out on the Ground earlier this year and found that this young writer has a courageous voice as she tells her story.  She weaves her own story with well thought out and clear contexts for how Indigenous people got to where they are now and the part that the Canadian governments and non-Indigenous people play in that context.  In her dialogue with Justice, she commented that although so many of the problems that are experienced today by Indigenous people were caused by colonialism, the solutions offered up by non-Indigenous people are often also colonial.  She gave the example of the problems experienced on reserves such as the absence of clean drinking water.  The solution offered up by some is simply for Indigenous people to move to the city which comes from a colonial mind set. This is instead of addressing the inequity of communities on either side of her reserve in Southern Ontario having clean drinking water while her community which has a water treatment facility, lacks the infrastructure to deliver this water to people's homes.

Cherie Dimaline holding The Marrow Thieves
Later in the day, Cherie Dimaline author of The Marrow Thieves which has won many prestigious awards spoke of her connection to the land near Midland.  Her Métis  family ended up in this area after being evicted from their land in the Red River Valley and then Drummond Island.  

Dimaline told the audience that she wrote The Marrow Thieves as a love letter to Two Spirit Indigenous Youth who are dying by suicide at an alarming rate.  I read this book last summer and couldn’t put it down.  During her presentation, Dimaline told the story of working with Indigenous communities whose land would be used for a cross Canada pipeline (that never got built).  Her job was to collect the stories of these communities and present them to the people who give permission for such projects.  She found that the communities that had become more "Christianized" were more likely to agree to having a pipeline than communities that retained traditional ways and connection to the land.  The traditional communities had sacred areas on the land whereas the more Christianized ones had churches.  Just as Daniel Heath Justice had said earlier, this Indigenous author was adding context for the audience.

Listening carefully to these and the other authors, I learned so much about the context of Indigenous lives as well as the connections to colonial thinking.  Chair of the Orillia Cente for Arts and Culture, Fred Larsen, thanked the authors for their work many times.  He stated that these and other Indigenous authors have been “doing the heavy lifting,” explaining our own history to us and telling their stories.  “It’s time for us to do more of that heavy lifting,” he said to the non-Indigenous people in the audience.  I don’t think I’ve ever heard an older white man say that to an audience before and I was heartened by his words.

Returning to the words of Daniel Heath Justice, “We have to re-envision what it is to be Canadian,” I looked up the word envision. The Cambridge on-line dictionary defines envision as “to imagine or expect that something is a likely or desirable possibility in the future.”  So perhaps re-envision is to let go of what we were imagining or expecting the future will look like and imagine something else.  Justice said that this re-envisioning includes how we relate to the land, our histories and our shared experiences.  He went on to explain that when Indigenous communities flourish, it’s good for everyone.  Justice cited the example of a Cherokee community in the US that is doing well and is providing health care for themselves as well as for the non-Indigenous people in the area.  However, when corporations do well, it isn’t necessarily true that it is good for everyone, especially when they relocate to make higher profits.

Justice explained that Indigenous futurist writing is important because those authors are imagining a world in which Indigenous people not only do well, but also lead the way in survival.  Quite a few of the authors I listened to at the festival explained that Indigenous people in Canada have already survived an apocalypse, in which their land, homes, language, culture, children, and health were taken away.  Who better to teach us about resilience and survival?  In a world which is in trouble due to a lack of respect for the land and the climate, Indigenous writers offer a worldview that holds part of the solution.  Einstein is often quoted as saying that problems can’t be solved with the same mindset that created them. 

In re-envisioning what it is to be Canadian, we have this profound resource of thoughtful Indigenous writers with diverse voices.  They are giving us the context and more of the history than we have been taught, to understand how we all got here.  They are telling the stories of what their lives are like now within that context and they are giving us a different idea of what the future could look like. Cherie Dimaline told us that The Marrow Thieves has replaced To Kill a Mockingbird in many Canadian classrooms.  It is also in production as a NetFlix series. These stories will help our youth to envision a different future.

There is a reason that conquerors and dictators kill the artists and destroy their work right at the beginning of a take over. Art has a power to convey meaning, give us courage and help us imagine a future that is different from the one that the usurpers seek.  That’s what makes it dangerous to dictators.  That’s what makes it critical for us.  It is fairly easy to buy or borrow a book by an Indigenous author and read it.  It is a little harder to open up your worldview to allow another story to enter into it.  I believe that it is a sign of intelligence to be able to take that new information and find a place for it within you, let that story work with you, become a part of that story, and imagine a new one.

Politics on TV is not the only story.  It is just a loud and repetitive one that celebrates bad behaviour with extreme attention.  There are so many other stories out there waiting to be heard, waiting to do their work and helping us all to imagine a better future.  

After absorbing the voices of the authors and artists all day, my partner and I went for a walk in the late evening, down by the lake, under the stars.  We stopped to look at all of the constellations in their magnificence.  They were so beautiful and their groupings created for us constellations that all have stories from thousands of years ago.  I felt humbled and immensely grateful in their presence.  And then I realized something.  This was the exact same feeling that I felt at the Gathering.


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